"Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino" by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on June 27, 2007. The duration of Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Respighi: Fontane di Roma, Pina di Roma, Feste Romane & Il Tramonto". In this album, this song's track order is #2. In terms of popularity, Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": Ia. Adagio | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | F♯ Major | 2 | 2B | 88 BPM | ||
Puccini: Turandot, Act 2: "Udite trombe! Altro che pace!" (Pong, Pang, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 74 BPM | ||
Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
Concerto a cinque, P. 174: Adagio | Ottorino Respighi, Konstantin Scherbakov, Capella Istropolitana, Ewald Danel | A Major | 0 | 11B | 63 BPM | ||
Verdi: Il trovatore, Act 2: "Perigliarti ancor languente" (Azucena, Manrico) | Giuseppe Verdi, Antonio Pappano, Larissa Diadkova, Roberto Alagna, London Symphony Orchestra | D Major | 4 | 10B | 108 BPM | ||
En blanc et noir (arr. R. Holloway for orchestra): III. Scherzando | Claude Debussy, Robin Holloway, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 74 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM |
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