Concerto for Violin and Orchestra: II. Adagio - Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh Information

Acousticness: 91%
Danceability: 16%
Energy: 3%
Instrumentalness: 19%
Liveness: 11%
Loudness: 48%
Speechiness: 5%
Valence: 4%
Popularity: 2%
Loudness: -31.253 dB

Summary

"Concerto for Violin and Orchestra: II. Adagio" by Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh was released on January 1, 2002. Since Concerto for Violin and Orchestra: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Julia Melinek, Jamie MacDougall, Stephen Roberts, Jennifer Koh, Spoleto Festival Choir's "Menotti: Violin Concerto, The Death of Orpheus, Muero porque no muero & O llama de amor viva" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Concerto for Violin and Orchestra: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto for Violin and Orchestra: II. Adagio BPM

We consider the tempo marking of Concerto for Violin and Orchestra: II. Adagio by Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Concerto for Violin and Orchestra: II. Adagio Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace	Louise Farrenc, Consortium Classicum	C Major	0	8B	79 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	G Major	1	9B	95 BPM
St Paul's Suite, Op. 29 No. 2, H.118: III. Intermezzo	Gustav Holst, Richard Hickox, City of London Sinfonia	C Major	2	8B	115 BPM
Mass, Op. 86: IX. Sanctus. Sanctus, sanctus, sanctus	Ludwig van Beethoven, Richard Hickox, Collegium Musicum 90, Rebecca Evans, Pamela Helen Stephen, Mark Padmore, Stephen Varcoe	D Major	3	10B	66 BPM
Britten: Les illuminations, Op. 18: No. 1, Fanfare	Arthur Rimbaud, Benjamin Britten, Martyn Hill/City of London Sinfonia/Richard Hickox, Martyn Hill, Richard Hickox, City of London Sinfonia	D Minor	1	7A	79 BPM
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin)	Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder	A Major	0	11B	88 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Invocation	William Lloyd Webber, Richard Hickox, City of London Sinfonia, Skaila Kanga	A Minor	1	8A	173 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	F Major	1	7B	83 BPM
Farewell	David Del Tredici, Hilary Hahn, Cory Smythe	D Major	1	10B	81 BPM

ISRC: GBLWD0200802
Label: L-M Records/RCA Records

Section: 1.2135131359100342

End: 1.2173457145690918