"Aequali No. 1, WAB 114" by Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short was released on October 30, 2015. With Aequali No. 1, WAB 114 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Brahms & Bruckner: Motets by Tenebrae, Nigel Short. Aequali No. 1, WAB 114 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aequali No. 1, WAB 114 by Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Requiem Mass, 1605: Kyrie | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Major | 1 | 9B | 76 BPM | ||
Virga Jesse - Motet for 4 voice Chorus a capella | Anton Bruckner, Kammerchor Stuttgart | D Major | 1 | 10B | 83 BPM | ||
Requiem Mass, 1605: Lesson: Taedet anima mea | Tomás Luis de Victoria, Tenebrae, Nigel Short | B Minor | 1 | 10A | 133 BPM | ||
Messe en mi mineur: Messe en mi mineur: Gloria. Allegro | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, La Chapelle Royale, Philippe Herreweghe | C Major | 0 | 8B | 92 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
The Evening-Watch, Op.43 No.1 | Gustav Holst, Tenebrae, Nigel Short | D Major | 0 | 10B | 134 BPM |
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