"Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto" by Gustav Holst, Ulster Orchestra, Joann Falletta was released on June 5, 2012. With this song being about 5 minutes long, at 4:54, "Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto" by Gustav Holst, Ulster Orchestra, Joann Falletta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Holst, Joann Falletta's "Holst: Cotswolds Symphony - Walt Whitman Overture" album is number 4 out of 13. Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto by Gustav Holst, Ulster Orchestra, Joann Falletta to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Symphony No.7 In E Major, WAB 107 - Ed. Haas: 3. Scherzo. Sehr schnell - Trio. Etwas langsamer - Live | Anton Bruckner, Gewandhausorchester Leipzig, Andris Nelsons | F Major | 1 | 7B | 77 BPM | ||
Percussion Concerto: IV. Syncopate | Danny Elfman, Colin Currie, Joann Falletta, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 98 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mäßig | Gustav Mahler, Bavarian Radio Symphony Orchestra, Bernard Haitink | A Major | 0 | 11B | 81 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM |
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