"Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev" by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel was released on December 2, 2016. Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel, Pyotr Ilyich Tchaikovsky's "Mussorgsky: Pictures At An Exhibition" album is number 15 out of 17. Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Ein Heldenleben, Op. 40, TrV. 190: I. Der Held | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | G Major | 1 | 9B | 85 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Concert Suite From "Der Rosenkavalier", TrV 227d: Con molto agitato | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | F Minor | 0 | 4A | 86 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM |
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