"Oboe Concerto: II. Minuet and Musette. Allegro moderato" by Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey was released on June 1, 2018. The duration of Oboe Concerto: II. Minuet and Musette. Allegro moderato is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Oboe Concerto: II. Minuet and Musette. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: "Serenade to Music" by Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Louis Lortie, Sarah Jeffrey, Teng Li, Elmer Iseler Singers. The song's track number on the album is #3 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Oboe Concerto: II. Minuet and Musette. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Concerto: II. Minuet and Musette. Allegro moderato by Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Oboe Concerto: II. Minuet and Musette. Allegro moderato being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone | Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel | C Major | 0 | 8B | 82 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |
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