"Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone" by Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel was released on September 1, 2003. Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 1, "A Sea Symphony" by Ralph Vaughan Williams, Paul Daniel, Bournemouth Symphony Orchestra. The song's track number on the album is #2 out of 4 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone by Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente | Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson | C Minor | 0 | 5A | 90 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
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