"Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka)" by Academy of St. Martin in the Fields was released on 1994. The duration of Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) is about 3 minutes long, at 3:22. Based on our data, "Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in Edvard Grieg: Orchestral Works (Classical Mastepieces) by Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) by Academy of St. Martin in the Fields is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Two Eligiac Melodies Last Spring | Academy of St. Martin in the Fields | G Major | 1 | 9B | 88 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM |
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