"Cello Sonata in D Major, Op. 17: II. Andante tranquillo" by Luise Adolpha Le Beau, Steven Isserlis, Connie Shih was released on November 4, 2022. With this song being about 5 minutes long, at 4:30, "Cello Sonata in D Major, Op. 17: II. Andante tranquillo" by Luise Adolpha Le Beau, Steven Isserlis, Connie Shih is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in A Golden Cello Decade, 1878-1888: Dvořák, R. Strauss, Bruch, Le Beau by Steven Isserlis, Connie Shih. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Sonata in D Major, Op. 17: II. Andante tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata in D Major, Op. 17: II. Andante tranquillo by Luise Adolpha Le Beau, Steven Isserlis, Connie Shih is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM | ||
Suite in D Minor, Op. 16b, R. 211: IV. Romance | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Major | 0 | 12B | 83 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Fünf Stücke im Volkston for Cello and Piano, Op. 102: IV. Nicht zu rasch | Robert Schumann, Steven Isserlis, Christoph Eschenbach | D Major | 1 | 10B | 177 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Adagio and Allegro for Piano and Cello in A-Flat Major, Op. 70: Langsam, mit innigem Ausdruck | Robert Schumann, Steven Isserlis, Christoph Eschenbach | A♭ Major | 0 | 4B | 79 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM |
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