"Coastal Command Suite: The Hebrides" by RTE Concert Orchestra, Ralph Vaughan Williams was released on May 15, 1995. With Coastal Command Suite: The Hebrides being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vaughan Williams: 49th Parallel / Story Of A Flemish Farm by RTE Concert Orchestra. The song's track number on the album is #10 out of 19 tracks. Coastal Command Suite: The Hebrides is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Coastal Command Suite: The Hebrides by RTE Concert Orchestra, Ralph Vaughan Williams has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Coastal Command Suite: The Hebrides being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | E♭ Major | 0 | 5B | 83 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Live | Sergei Rachmaninoff, Rachmaninoff International Orchestra, Mikhail Pletnev, Kent Nagano | G Minor | 2 | 6A | 104 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Sånger å de Osjungnas Vägnar: I. Öppning: I | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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