"Symphony No. 3 in F Major, Op. 90: II. Andante (4)" by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden was released on March 22, 2021. The duration of Symphony No. 3 in F Major, Op. 90: II. Andante (4) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Symphony No. 3 in F Major, Op. 90: II. Andante (4)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in Brahms: Symphony No. 3 by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Symphony No. 3 in F Major, Op. 90: II. Andante (4) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in F Major, Op. 90: II. Andante (4) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
The Tempest, Op. 18: II. Allegro moderato | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | E Minor | 2 | 9A | 92 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Verbum nobile: Overture | Stanisław Moniuszko, Krakow Philharmonic Orchestra, Roland Bader | G Major | 1 | 9B | 125 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM |
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