"Come away, come away death, Op.18, No.1 - Instrumental" by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 10 out of 19. In terms of popularity, Come away, come away death, Op.18, No.1 - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come away, come away death, Op.18, No.1 - Instrumental by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Finnish Radio Symphony Orchestra, Hannu Lintu | F Minor | 1 | 4A | 100 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Concerto for Piano and Orchestra: II. Molto lente e tranquillo | Michael Tippett, Martino Tirimo, BBC Philharmonic | D♭ Minor | 1 | 12A | 129 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
Six Studies in English Folk-Song: II. Andante sostenuto | Ralph Vaughan Williams, Amy Dickson | E♭ Major | 0 | 5B | 65 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |
Section: 0.6177957057952881
End: 0.6220979690551758