Ralph Vaughan Williams, Amy Dickson made "Six Studies in English Folk-Song: II. Andante sostenuto" available on April 5, 2019. With Six Studies in English Folk-Song: II. Andante sostenuto being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Amy Dickson's "In Circles" album is number 15 out of 20. Six Studies in English Folk-Song: II. Andante sostenuto is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Six Studies in English Folk-Song: II. Andante sostenuto by Ralph Vaughan Williams, Amy Dickson to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 7, Clouds | Mikael Ayrapetyan | E♭ Major | 0 | 5B | 71 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
The Baby Sleeps | Lara Downes | C Major | 0 | 8B | 69 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
12 Pieces for Children: No. 6, My Darling and Marjan (Variation) | Komitas, Mikael Ayrapetyan | E Major | 0 | 12B | 125 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 1 in A Minor - Andantino | Franz Burgmüller, Anja Lechner, Pablo Marquez | A Major | 0 | 11B | 104 BPM |
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