Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba's 'Oboe Concerto, Op. 20: II. Andante' came out on October 14, 2022. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba's "Gipps: Orchestral Works, Vol. 2" album is number 3 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Oboe Concerto, Op. 20: II. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto, Op. 20: II. Andante by Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Española No. 1, Op. 47: V. Aragón (Fantasia). Allegro - Meno mosso | Isaac Albéniz, Juanjo Mena, BBC Philharmonic | D♭ Major | 1 | 3B | 115 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | G Major | 1 | 9B | 176 BPM | ||
Third Concerto for Piano and Orchestra, Op. 50: I. Allegro molto | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic | D Minor | 2 | 7A | 141 BPM | ||
Rhapsody for Clarinet & String Quartet in E-Flat Major, Op. 23 | Ruth Gipps, Peter Cigleris, Tippett Quartet, John Mills, Jeremy Isaac, Lydia Lowndes-Northcott, Bozidar Vukotic | F Minor | 1 | 4A | 89 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Clarinet Sonata, Op. 45: II. Andante con moto | Ruth Gipps, Peter Cigleris, Duncan Honeybourne | A Major | 0 | 11B | 80 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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