"Rhapsody for Clarinet & String Quartet in E-Flat Major, Op. 23" by Ruth Gipps, Peter Cigleris, Tippett Quartet, John Mills, Jeremy Isaac, Lydia Lowndes-Northcott, Bozidar Vukotic was released on September 17, 2021. Rhapsody for Clarinet & String Quartet in E-Flat Major, Op. 23 appears to be safe for all ages as it is not explicit. The track order of this song in Ruth Gipps, Peter Cigleris, Duncan Honeybourne, Gareth Hulse, Tippett Quartet's "Gipps: Clarinet Chamber Music" album is number 1 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Rhapsody for Clarinet & String Quartet in E-Flat Major, Op. 23 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody for Clarinet & String Quartet in E-Flat Major, Op. 23 by Ruth Gipps, Peter Cigleris, Tippett Quartet, John Mills, Jeremy Isaac, Lydia Lowndes-Northcott, Bozidar Vukotic to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
The Moon on the Ruined Castle (Arr. Cello & Piano) | Taki Rentarou, Lynn Harrell, Bruno Canino | C Minor | 0 | 5A | 84 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM | ||
Andante Spianato: Tranquillo | Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | G Major | 0 | 9B | 61 BPM | ||
Orchestral Suite No. 4, Op. 61, TH 34 "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky, Sinfonieorchester Aachen, Christopher Ward | D Major | 5 | 10B | 140 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
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