"Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr)" by Franz Liszt, Soyeon Kate Lee was released on January 7, 2014. With this song being about 5 minutes long, at 4:47, "Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr)" by Franz Liszt, Soyeon Kate Lee is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Soyeon Kate Lee's "Liszt Complete Piano Music, Vol. 38: Transcriptions and Arrangements of Handel, Gounod, Spohr & Raff" album is number 8 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) by Franz Liszt, Soyeon Kate Lee to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Adagio in E Flat (Arr. Ólafsson from String Quintet No. 3 in G Minor, K. 516) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | E♭ Major | 0 | 5B | 76 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 104 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM |
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