Edvard Grieg, Einar Steen-Nøkleberg's 'Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song)' came out on December 1, 1995. The duration of Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Einar Steen-Nøkleberg's "Grieg: Lyric Pieces, Books 8 - 10, Opp. 65, 68, and 71" album is number 11 out of 19. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) is currently fairly popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) by Edvard Grieg, Einar Steen-Nøkleberg to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Piano Sonata No. 5 in G Major, K. 283: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó | C Major | 0 | 8B | 97 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
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