Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra made "Symphony No. 3 - Movement I" available on April 8, 2013. With this song being about 5 minutes long, at 4:32, "Symphony No. 3 - Movement I" by Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra's "Glass: Symphony No. 3 & "The Hours" Suite" album is number 4 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony No. 3 - Movement I's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony No. 3 - Movement I by Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | ||
Das Rheingold: Prelude | Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 1 | 4B | 77 BPM | ||
Calm Cascades | Marko Celesty, Magical Flute Moments | G Major | 0 | 9B | 89 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 115 BPM | ||
Bates: The B-Sides: V. Warehouse Medicine | Mason Bates, San Francisco Symphony, Michael Tilson Thomas | C Minor | 3 | 5A | 126 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM |
Section: 0.6181356906890869
End: 0.6226160526275635