"Das Rheingold: Prelude" by Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle was released on October 1, 2013. Das Rheingold: Prelude is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. This song is part of Wagner: Der Ring des Nibelungen, Orchestermusik by Richard Wagner, Sebastian Weigle. The song's track number on the album is #1 out of 12 tracks. Based on our data, Germany was the country where this track was produced or recorded. Das Rheingold: Prelude is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold: Prelude by Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Rheingold: Prelude being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Gnossiennes: No. 1 - Lent | Erik Satie, Reinbert de Leeuw | F Minor | 0 | 4A | 70 BPM | ||
Three movements from String Quartet No. 2: II | Michael Nyman, Amstel Quartet | B♭ Major | 1 | 6B | 117 BPM | ||
Das Rheingold: Scene 1: Prelude | Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch | A♭ Major | 2 | 4B | 134 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | E Minor | 0 | 9A | 70 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | C Major | 2 | 8B | 177 BPM |
Section: 0.7627449035644531
End: 0.7665283679962158