"Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König)" by Richard Wagner, Gottlob Frick/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker was released on 1964. The duration of Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #12 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König) by Richard Wagner, Gottlob Frick/Chor der Wiener Staatsoper/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Lohengrin, WWV 75, Act 3 Scene 3: "Was bringen die? Was tun sie kund?" (Männer, Brabanter, Edlen, Frauen, Knaben, König) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Carmina Burana: VI. Dance | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | C Major | 1 | 8B | 142 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |
Section: 0.7339420318603516
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