"Tannhäuser / Act II: "Gar viel und schön"" by Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin was released on January 1, 2002. Since Tannhäuser / Act II: "Gar viel und schön" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 10 in Evening Star: German Opera Arias by Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Tannhäuser / Act II: "Gar viel und schön" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser / Act II: "Gar viel und schön" by Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, R.630: 1. Nulla in mundo pax (Larghetto) | Antonio Vivaldi, Elly Ameling, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri | D Minor | 0 | 7A | 99 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Presto | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 120 BPM | ||
Die Fledermaus / Act 1: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Lucia Popp, Julia Varady | A♭ Major | 1 | 4B | 103 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Dona nobis pacem | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 130 BPM | ||
Parsifal: Act I, Scene I, "He! Ho! Waldhueter ihr!" | Richard Wagner, René Pape, Violeta Urmana, Yuri Alezeev, Yuri Vorobiev, Lia Shevtsova, Olga Legkova, Alexander Timchenko, Andrei Popov, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Was sinnt nun Wotan so wild?" | Richard Wagner, Set Svanholm, Kirsten Flagstad, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Minor | 1 | 2A | 85 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 120 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM |
Section: 0.8629252910614014
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