"Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi" by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick was released on September 29, 2009. With this song being about 5 minutes long, at 4:45, "Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi" by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 15 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi by Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | G Major | 2 | 9B | 84 BPM | ||
Sonata in G Minor for Cello & Piano, Op.65: 4. Finale (Allegro) | Frédéric Chopin, Alisa Weilerstein, Inon Barnatan | C Major | 1 | 8B | 83 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | D Major | 1 | 10B | 65 BPM | ||
The Lord's Prayer - And He Shall Reign as King | Larry King, Trinity Church Choir, New York, Timothy Smith, James A. Simms | F Major | 0 | 7B | 79 BPM | ||
Estudio de Velocidad | Francisco Tárrega, Andrés Madariaga | B Minor | 3 | 10A | 142 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Aeterna fac cum Sanctis tuis -...Allegro moderato "Aet | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 108 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 3 | 9A | 139 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM |
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