George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli's 'Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana' came out on 2002. The duration of Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra's "Handel Sarabande" album is number 20 out of 22. Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana by George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto No 7 in C major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 2 | 1B | 115 BPM | ||
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | G Major | 2 | 9B | 83 BPM |
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