Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas's 'Trio Sonata in G Major, BWV 1038: I. Largo' came out on 1983. The duration of Trio Sonata in G Major, BWV 1038: I. Largo is about 3 minutes long, at 3:27. Based on our data, "Trio Sonata in G Major, BWV 1038: I. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Trio Sonatas of Telemann & The Bach Family". In this album, this song's track order is #1. Trio Sonata in G Major, BWV 1038: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in G Major, BWV 1038: I. Largo by Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Sonata No. 3 in D Minor, J. 101: I. Air russe - Remastered | Carl Maria von Weber, Jean-Pierre Rampal | A Major | 2 | 11B | 149 BPM | ||
Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro | Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague | E Minor | 3 | 9A | 103 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 4 | 5A | 111 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM |
Section: 0.5746028423309326
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