On April 9, 2002, the song "Suite From Abdelzar: III. Minuet" was released by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Suite From Abdelzar: III. Minuet being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 24 in A Baroque Feast by Tafelmusik Baroque Orchestra, Jeanne Lamon. Suite From Abdelzar: III. Minuet is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite From Abdelzar: III. Minuet by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordian Knot Untied, Z.597: Chaconne - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 85 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Burlesque de Don Quixotte - Son attaque des moulins à vent | Tafelmusik Baroque Orchestra | D♭ Major | 4 | 3B | 143 BPM | ||
Cello Concerto No.5 in F Minor, L. 40: III. Segue il cantabile - Largo e gustoso | Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma | G Major | 2 | 9B | 59 BPM | ||
Cello Concerto No.2 in D Major, L. 10: III. Larghetto con poco moto | Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma | B♭ Minor | 1 | 3A | 169 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?...Fear no danger" | Henry Purcell, Jessye Norman, Marie McLaughlin, Elizabeth Gale, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 79 BPM |
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