On 1999, the song "Burlesque de Don Quixotte - Son attaque des moulins à vent" was released by Tafelmusik Baroque Orchestra. With Burlesque de Don Quixotte - Son attaque des moulins à vent being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Orchestral Suites (Telemann): Alster; Burlesque de Don Quixotte; La Bourse". In this album, this song's track order is #12. Based on our statistics, Burlesque de Don Quixotte - Son attaque des moulins à vent's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Burlesque de Don Quixotte - Son attaque des moulins à vent by Tafelmusik Baroque Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B Minor, RV 424 | Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Major | 2 | 1B | 173 BPM | ||
Balletti francesi (From the Opera "Nettunno e Flora festeggianti" by Antonio Cesti) (1666) | Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Major | 0 | 1B | 111 BPM | ||
Concerto Grosso in C Major after Corelli, Op. 5, No. 3: II. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Major | 2 | 1B | 129 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach, Michael Behringer, Robert Hill, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Minor | 0 | 9A | 128 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Symphony No. 46 in B Major, Hob. I:46: IV. Finale. Presto e scherzando | Franz Joseph Haydn, Bruno Weil, Tafelmusik Baroque Orchestra | B Major | 1 | 1B | 89 BPM | ||
Cello Concerto in C Major, G. 573: III. Allegro comodo | Luigi Boccherini, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon | C Major | 1 | 8B | 138 BPM | ||
Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro | Anonymous, Arcangelo Corelli, Dan Laurin, Parnassus Avenue | E♭ Major | 1 | 5B | 134 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM |
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