Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto" available on 1992. The duration of Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Tafelmusik Baroque Orchestra's "Geminiani: Concerti grossi" album is number 1 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto by Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando | Ludwig van Beethoven, Tafelmusik Baroque Orchestra, Bruno Weil | G Major | 3 | 9B | 146 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 111 BPM | ||
Concerto a cinque No. 6, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B♭ Minor | 1 | 3A | 87 BPM | ||
Cello Concerto No. 2 in D Major: II. Con bravoura | Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon | D♭ Major | 2 | 3B | 130 BPM | ||
Violin Concerto in D Major, JunP I.7: III. Allegro | Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 183 BPM | ||
Sinfonia in D Major, F. 64: III. Vivace | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 172 BPM | ||
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM |
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