"Concerto a cinque No. 6, Op. 7: II. Adagio" by Tomaso Albinoni, Paul Dombrecht, Il Fondamento was released on May 11, 2009. The duration of Concerto a cinque No. 6, Op. 7: II. Adagio is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto a cinque No. 6, Op. 7: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Albinoni: Concerti con oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Concerto a cinque No. 6, Op. 7: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a cinque No. 6, Op. 7: II. Adagio by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys: Overture | Jean-Baptiste Lully, Capriccio Basel Baroque Orchestra, Dominik Kiefer | F Minor | 3 | 4A | 62 BPM | ||
Ouverture in D Minor: Ouverture | Il Fondamento | D♭ Minor | 2 | 12A | 122 BPM | ||
Sinfonia a 3 in G major: III. Allegrissimo | Domenico Scarlatti, Raffaello Negri/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | F♯ Major | 3 | 2B | 135 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto a cinque No. 11, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 4 | 11B | 107 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM | ||
Sinfonia in D Major, F. 64: III. Vivace | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 172 BPM |
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