Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng made "Concerto No 7 in C major - Allegro" available on January 1, 2009. With Concerto No 7 in C major - Allegro being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "The Original Brandenburg Concertos". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concerto No 7 in C major - Allegro is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Concerto No 7 in C major - Allegro by Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Lute Sonata in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Lutz Kirchhof | A Major | 2 | 11B | 96 BPM | ||
Concerto for Oboe and Cello in G Minor, RV 812: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 3 | 6A | 103 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Sammartini : Sonata III for 2 Cellos in A minor : III Minuet - Allegro | Giovanni Battista Sammartini, Anner Bylsma | B Major | 1 | 1B | 93 BPM | ||
Musique de table, Part III: Concerto for 2 horns in E-Flat Major, TWV 54:Es1: III. Grave | Georg Philipp Telemann, Gavin Edwards, Roger Montgomery, Orchestra of the Golden Age | G Minor | 4 | 6A | 120 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 1. Allegro | Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 84 BPM |
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