- BPM
- 139
- Key
- E Minor
- Camelot
- 9A
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen - Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti Information
- Acousticness
- 96%
- Danceability
- 18%
- Energy
- 27%
- Instrumentalness
- 69%
- Liveness
- 9%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 16%
- Popularity
- 41%
- Loudness
- -16.878 dB
Summary
"St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen" by Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 1988. Since St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 57 in Bach, J.S.: St. Matthew Passion BWV 244 by Johann Sebastian Bach, Kiri Te Kanawa, Anne Sofie von Otter, Anthony Rolfe Johnson, Tom Krause, Hans Peter Blochwitz, Olaf Bär, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. Based on our statistics, St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen BPM
The tempo marking of St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen by Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Tannhäuser, WWV 70 - Paris version / Act 2: "Ha, der Verruchte! Fliehet ihn!" | Richard Wagner, Norman Bailey, Victor Braun, Hans Sotin, Helga Dernesch, Werner Hollweg, Manfred Jungwirth, Wiener Philharmoniker, Sir Georg Solti | D Minor | 5 | 7A | 138 BPM | |
 | Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | 2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | |
| Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0550458431243896
End: 1.0621485710144043