"Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano)" by Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz was released on August 12, 2016. The duration of Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Friedman: Piano Transcriptions by Ignaz Friedman, Joseph Banowetz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) by Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, Michael Korstick | E Major | 0 | 12B | 109 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: II. Andante | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | C Major | 1 | 8B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
Section: 0.6948497295379639
End: 0.698580265045166