Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) - Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl Information

Acousticness: 99%
Danceability: 16%
Energy: 8%
Instrumentalness: 89%
Liveness: 12%
Loudness: 62%
Speechiness: 4%
Valence: 11%
Popularity: 18%
Loudness: -22.717 dB

Summary

"Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus)" by Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl was released on October 26, 2010. The duration of Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) is about 3 minutes long, at 3:11. Based on our data, "Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Jun Markl's "Mendelssohn: Elias (Elijah)" album is number 9 out of 45. On top of that, Hong Kong appears to be the country where this track was created. Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) BPM

We consider the tempo marking of Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) by Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Elias, Op. 70, MWV A25, Part II: No. 32, Chorus "Wer bis an das Ende beharrt" - No. 33, Recitative "Herr, es wird Nacht um mich" (Elias, der Engel)	Felix Mendelssohn, Petteri Salomaa, Soile Isokoski, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe	D Major	3	10B	109 BPM
Das Weinen, D. 926	Franz Schubert, Christoph Genz, Wolfram Rieger	A♭ Major	1	4B	113 BPM
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des Bohémiens et Bohémiennes	Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl	D Major	2	10B	132 BPM
Requiem in D Minor, WAB 39: IVa. Agnus Dei	Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz	C Major	0	8B	65 BPM
Te Deum in C Major, WAB 45: 5. In te domine speravi	Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner	C Major	1	8B	79 BPM
The Creation, Hob.XXI,2: Pt. 3, By Thee with Bliss	Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers	E♭ Major	0	5B	87 BPM
Alphorn, o. Op.	Richard Strauss, Christiane Karg, Malcolm Martineau, Felix Klieser	D Major	3	10B	78 BPM
Requiem: XI. Domine Jesu Christe	Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer	A♭ Major	0	4B	125 BPM
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta	Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester	F Minor	1	4A	80 BPM
La cambiale di matrimonio: Overture	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	140 BPM

ISRC: HKI191004809
Label: L-M Records/RCA Records

Section: 0.858177900314331

End: 0.8620655536651611