Petrushka (1911 Version): Tableau 3: The Moor's Room - Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky Information

Acousticness: 98%
Danceability: 32%
Energy: 5%
Instrumentalness: 85%
Liveness: 11%
Loudness: 68%
Speechiness: 4%
Valence: 10%
Popularity: 0%
Loudness: -19.491 dB

Summary

"Petrushka (1911 Version): Tableau 3: The Moor's Room" by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on February 7, 2017. Since Petrushka (1911 Version): Tableau 3: The Moor's Room is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Petrushka (1911 Version): Tableau 3: The Moor's Room is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Petrushka (1911 Version): Tableau 3: The Moor's Room BPM

The tempo marking of Petrushka (1911 Version): Tableau 3: The Moor's Room by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Petrushka (1911 Version): Tableau 3: The Moor's Room Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	B Major	0	1B	66 BPM
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March	Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft	D Major	2	10B	121 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo	Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E Major	0	12B	81 BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Eine Alpensinfonie: X. Nacht	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	86 BPM
Simple Symphony, Op. 4: I. Boisterous Bourrée	Benjamin Britten, English Chamber Orchestra	A Minor	2	8A	106 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Symphonie fantastique, Op. 14: II. Un bal	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	A Major	1	11B	107 BPM
L'Arlésienne Suite No.1: Carillon	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	65 BPM

ISRC: DEAD61602628
Label: L-M Records/RCA Records

Section: 0.6496150493621826

End: 0.6545679569244385