"Eine Alpensinfonie: X. Nacht" by Richard Strauss, Bernard Haitink, London Symphony Orchestra was released on February 9, 2010. The duration of Eine Alpensinfonie: X. Nacht is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Eine Alpensinfonie: X. Nacht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss: Eine Alpensinfonie (An Alpine Symphony)". In this album, this song's track order is #10. Eine Alpensinfonie: X. Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie: X. Nacht by Richard Strauss, Bernard Haitink, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Enigma Variations: Variation VII. Troyte - Presto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 3 | 8B | 140 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM |
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