Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra made "Violin Concerto, Op. 14: III. Presto in moto" available on 2000. The duration of Violin Concerto, Op. 14: III. Presto in moto is about 3 minutes long, at 3:25. Based on our data, "Violin Concerto, Op. 14: III. Presto in moto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 5 in Barber, Meyer: Violin Concertos by Hilary Hahn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Violin Concerto, Op. 14: III. Presto in moto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Violin Concerto, Op. 14: III. Presto in moto by Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torua | Gillian Whitehead, Hilary Hahn, Cory Smythe | B♭ Major | 1 | 6B | 95 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro | Charles Ives, Hilary Hahn, Valentina Lisitsa | A Minor | 1 | 8A | 72 BPM | ||
Symphony No. 1, Op. 9: II. Allegro molto | Samuel Barber, Leonard Slatkin, St. Louis Symphony | A♭ Major | 2 | 4B | 87 BPM | ||
Piano Quintet in F minor, Op. 34: III. Scherzo (Allegro) | Johannes Brahms, Maurizio Pollini, Quartetto Italiano | C Major | 2 | 8B | 124 BPM | ||
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 86 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM | ||
Aalap And Tarana | Kala Ramnath, Hilary Hahn, Cory Smythe | G Major | 1 | 9B | 127 BPM |
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