Fantasie In G-dur, BWV 572 - Ton Koopman Information

Acousticness
93%
Danceability
12%
Energy
28%
Instrumentalness
81%
Liveness
31%
Loudness
74%
Speechiness
4%
Valence
23%
Popularity
Loudness
-15.882 dB

Summary

Ton Koopman's 'Fantasie In G-dur, BWV 572' came out on June 1, 1988. Since Fantasie In G-dur, BWV 572 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke III" album is number 4 out of 11. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Fantasie In G-dur, BWV 572 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fantasie In G-dur, BWV 572 BPM

We consider the tempo marking of Fantasie In G-dur, BWV 572 by Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Fantasie In G-dur, BWV 572 Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Erbarm dich mein, o Herre Gott, SWV 148 by Heinrich Schütz, Bremen Weser-RenaissanceErbarm dich mein, o Herre Gott, SWV 148Heinrich Schütz, Bremen Weser-RenaissanceC Major18B74 BPM
Trio-Sonate In C Major, BWV 529: I. Allegro by Ton KoopmanTrio-Sonate In C Major, BWV 529: I. AllegroTon KoopmanC Major38B66 BPM
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat mater: VIII. Fac ut ardeat cor meumGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor311A71 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846Luc BeauséjourA♭ Minor41A132 BPM
Symphony No. 2 in B-Flat Major, Op. 52 Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IV. A tempo moderato. "Sagt es, die ihr erlöst seid"Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor StuttgartC Major08B86 BPM
Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas SchollE♭ Minor12A76 BPM
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio by Johann Gottlieb Goldberg, London BaroqueTrio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. AdagioJohann Gottlieb Goldberg, London BaroqueD Major010B87 BPM
Suite From Abdelzar: VI. Air by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonSuite From Abdelzar: VI. AirHenry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonF♯ Minor211A101 BPM
Stabat Mater: 2. Cujus animam by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodStabat Mater: 2. Cujus animamGiovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodG Major19B79 BPM
Salve Regina in C minor (1736): 4. Et Jesum by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodSalve Regina in C minor (1736): 4. Et JesumGiovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodA Major111B95 BPM
ISRC
CH1610753804
Label
L-M Records/RCA Records

Section: 0.8425617218017578

End: 0.8462181091308594