- BPM
- 76
- Key
- E♭ Minor
- Camelot
- 2A
Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" - Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas Scholl Information
- Acousticness
- 98%
- Danceability
- 19%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 68%
- Speechiness
- 6%
- Valence
- 16%
- Popularity
- 25%
- Loudness
- -19.061 dB
Summary
"Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas Scholl was released on 1999. With this song being about 5 minutes long, at 4:33, "Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas Scholl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 27 out of 68. Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" BPM
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Andreas Scholl to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244, Erster Teil: 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" - 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden" Key
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | |
 | Der Rheinsche Wein | Adam Krieger, Andreas Scholl, Juan Manuel Quintana, Friederike Heumann, Pablo Valetti, Stéphanie Pfister | F♯ Major | 1 | 2B | 118 BPM | |
 | II. Nach Dir, Herr, Verlanget Mich BWV 150, Coro: Leite Mich In Deiner Wahrheit | Holland Boys Choir; Netherlands Bach Collegium, Trudy Van Der Wulp, Knut Schoch, Ruth Holton, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 99 BPM | |
 | Du Bist Die Ruh, Opus 59 No.3, D776 | Franz Schubert, Andreas Scholl, Tamar Halperin | B♭ Major | 0 | 6B | 166 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 2: No. 50. Sie schrieen aber noch mehr | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist | B♭ Minor | 3 | 3A | 90 BPM | |
 | I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | |
 | Fac Me Plagis | Andreas Scholl | D Minor | 2 | 7A | 89 BPM | |
 | Concerto For 3 Harpsichords In C Major, BWV 1064: I. - Allegro | Cologne Chamber Orchestra, Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | |
 | Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6857075691223145
End: 0.6926047801971436