"Stabat Mater: 1. Stabat Mater" by Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset was released on January 1, 1999. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater; Salve Regina in F minor; Salve Regina in A minor". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: 1. Stabat Mater is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 1. Stabat Mater by Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Derek Lee Ragin | D♭ Major | 2 | 3B | 125 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | B♭ Major | 1 | 6B | 176 BPM | ||
Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM |
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