Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'Auf dem Wasser zu singen, Op. 72, D. 774' came out on January 1, 1969. The duration of Auf dem Wasser zu singen, Op. 72, D. 774 is about 3 minutes long, at 3:24. Based on our data, "Auf dem Wasser zu singen, Op. 72, D. 774" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 171 in the song's album "Schubert: Lieder (Vol. 2)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Auf dem Wasser zu singen, Op. 72, D. 774 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf dem Wasser zu singen, Op. 72, D. 774 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
Meerfahrt op. 96 Nr. 4 | Johannes Brahms, Dietrich Fischer-Dieskau | F Major | 1 | 7B | 76 BPM | ||
Debussy: Beau soir, CD 84, L. 6 | Claude Debussy, Véronique Gens, Roger Vignoles | F♯ Major | 0 | 2B | 113 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Franz Schubert : Fantasia in Fa minore, Op. 103 : D 940 : Allegro molto moderato | Margherita Malagoli, Roberto Guerra | F Major | 0 | 7B | 112 BPM | ||
Lucia di Lammermoor / Act 2: "O giusto cielo!" | Gaetano Donizetti, Anna Netrebko, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado | F Minor | 0 | 4A | 95 BPM |
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