"Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben" by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester was released on February 1, 2002. Since Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester's "Mozart: Opera Arias" album is number 14 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, K. 626: VI. Benedictus | Wolfgang Amadeus Mozart, Sybilla Rubens, Annette Markert, Ian Bostridge, Hanno Müller-Brachmann, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est | Wolfgang Amadeus Mozart, Norine Burgess, Viktoria Loukianetz, Robert Holzer, Herbert Lippert, Hungarian Radio Chorus, Kalman Strausz, Nicolaus Esterhazy Sinfonia, Michael Halasz | E Major | 3 | 12B | 82 BPM | ||
Der Herbst: "Juchhe, der Wein ist da | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 2 | 7B | 118 BPM | ||
Piano Sonata No. 1 in C Major, K. 279: II. Andante | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 77 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Ottone in villa, RV 729, Act II Scene VI: II. Leggi almeno, tiranna infedele | Antonio Vivaldi, Julia Lezhneva, Giovanni Antonini, Il Giardino Armonico | E Major | 0 | 12B | 84 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
Section: 0.6667294502258301
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