"Schubert: Ave Maria, Op. 52 No. 6, D. 839" by Franz Schubert, Barbara Bonney, Geoffrey Parsons was released on January 1, 1994. Schubert: Ave Maria, Op. 52 No. 6, D. 839 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Schubert: Ave Maria, Op. 52 No. 6, D. 839 is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Ave Maria, Op. 52 No. 6, D. 839 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第3曲 止まれ! | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | C Major | 2 | 8B | 79 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第4曲 小川への言葉 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 83 BPM |
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