London Festival Orchestra Alfred Scholz made "Carmen, Opera Suite No. 2: II. Habanera (Act 1)" available on January 1, 2009. The duration of Carmen, Opera Suite No. 2: II. Habanera (Act 1) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen, Opera Suite No. 2: II. Habanera (Act 1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen, Opera Suite No. 2: II. Habanera (Act 1)'s popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Carmen, Opera Suite No. 2: II. Habanera (Act 1) by London Festival Orchestra Alfred Scholz is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: I. Andante con molto | Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden | E Minor | 1 | 9A | 80 BPM | ||
Mas Que Nada | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | G Major | 7 | 9B | 86 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan) | Stockholm Chamber Duo | E Major | 1 | 12B | 119 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Richard Stamp | A Minor | 0 | 8A | 91 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
Patton, Lust For Glory - Main Theme | London Festival Orchestra, Stanley Black | C Major | 5 | 8B | 121 BPM |
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