Franz Schubert, Andreas Scholl, Tamar Halperin's 'Du Bist Die Ruh, Opus 59 No.3, D776' came out on January 1, 2012. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wanderer by Andreas Scholl, Tamar Halperin. The song's track number on the album is #19 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Du Bist Die Ruh, Opus 59 No.3, D776 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Du Bist Die Ruh, Opus 59 No.3, D776 by Franz Schubert, Andreas Scholl, Tamar Halperin has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Du Bist Die Ruh, Opus 59 No.3, D776 being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 17, Wie aus der Ferne | Robert Schumann, Stephen Hough | B Major | 0 | 1B | 69 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM |
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