"Kol Nidrei - Adagio For Cello, Opus 47" by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim was released on January 1, 2012. Kol Nidrei - Adagio For Cello, Opus 47 appears to be safe for all ages as it is not explicit. The song is number 12 out of 12 in Elgar & Carter Cello Concertos by Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Kol Nidrei - Adagio For Cello, Opus 47 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | A♭ Major | 1 | 4B | 83 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Hungarian Dance No. 5 in G Minor: Allegro | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 148 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Scottish Fantasy, Op.46: 4. Finale (Allegro guerriero) | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | E♭ Major | 1 | 5B | 102 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |
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