On March 27, 2007, the song "The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846" was released by Luc Beauséjour. With The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 48 in Bach, J.S.: The Well-Tempered Clavier , Book I by Luc Beauséjour. Based on our statistics, The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 by Luc Beauséjour is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Royer: Pièces de clavecin, Book 1 (1746): No. 2 La Zaïde - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 2 | 8B | 94 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM | ||
Solo per il Cembalo, BWV Anh. 129 | Carl Philipp Emanuel Bach, Luc Beauséjour | D Major | 1 | 10B | 92 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Italian Ground: Allemande | Orlando Gibbons, Glenn Gould | C Major | 4 | 8B | 105 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM |
Section: 0.6153004169464111
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