Atlanta Symphony Orchestra's 'FINALE FROM SYMPHONY NO. 9 IN D MINOR, "CHORAL"' came out on February 15, 1994. With FINALE FROM SYMPHONY NO. 9 IN D MINOR, "CHORAL" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. FINALE FROM SYMPHONY NO. 9 IN D MINOR, "CHORAL" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of FINALE FROM SYMPHONY NO. 9 IN D MINOR, "CHORAL" by Atlanta Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Requiem, Op. 9: I. Introit | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
Christ on the Mount of Olives, Op. 85: Hallelujah | Ludwig van Beethoven, Robert Shaw, Atlanta Symphony Orchestra | B Major | 1 | 1B | 66 BPM | ||
Souvenirs, Op. 28: VI. Galop - Coda (The Next Afternoon) | Samuel Barber, Atlanta Symphony Orchestra, Yoel Levi | B♭ Minor | 3 | 3A | 91 BPM | ||
Zohar: IV. Tiferes, "Shepherd Boy" | Jonathan Leshnoff, Nmon Ford, Atlanta Symphony Orchestra, Robert Spano | A Major | 2 | 11B | 161 BPM | ||
Oceana: 4. Second Call | Osvaldo Golijov, Luciana Souza, Jay Anderson, Scott Tennant, John Dearman, Atlanta Symphony Orchestra, Robert Spano | D Major | 3 | 10B | 87 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
When Lilacs Last in the Dooryard Bloom'd: VIII. Sing On! You Gray-Brown Bird | Paul Hindemith, Robert Shaw, Atlanta Symphony Orchestra, William Stone, Jan de Gaetani | D Major | 1 | 10B | 80 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Stabat Mater, Op. 53: III. O Matko, źródlo wszechmilości | Karol Szymanowski, Atlanta Symphony Orchestra, Robert Shaw, Christine Goerke, Marietta Simpson | D♭ Major | 0 | 3B | 86 BPM |
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