Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek's 'Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro' came out on September 8, 2023. Since Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Špaček's "Martinů: Concerto for Violin, Piano and Orchestra, Violin Sonata No. 3, Five Short Pieces" album is number 1 out of 12. On top of that, Czechia appears to be the country where this track was created. In terms of popularity, Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro by Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Incredible Flutist Suite: IX. Spanish Waltz | Walter Piston, National Orchestral Institute Philharmonic, Joann Falletta | B Major | 5 | 1B | 77 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM |
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