"The Incredible Flutist Suite: IX. Spanish Waltz" by Walter Piston, National Orchestral Institute Philharmonic, Joann Falletta was released on November 24, 2023. With The Incredible Flutist Suite: IX. Spanish Waltz being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 18 in Copland, Creston & Others: Orchestral Works by Anna Mattix, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Incredible Flutist Suite: IX. Spanish Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Incredible Flutist Suite: IX. Spanish Waltz by Walter Piston, National Orchestral Institute Philharmonic, Joann Falletta is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Outdoor Overture: An Outdoor Overture | Aaron Copland, National Orchestral Institute Philharmonic, James Judd | F Major | 1 | 7B | 143 BPM | ||
Symphony in Fire, Water, Earth & Air: II. Water | Andrea Tarrodi, Nordic Chamber Orchestra, Joann Falletta | F Minor | 0 | 4A | 90 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
The New Four Seasons - Spring: III. Dances with Nymphs (After Violin Concerto No. 1, Op. 8, RV 269, III. Danza pastorale, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Symphony No. 4 in C Major: III. Molto vivace | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 91 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Fantasy | Walter Piston, Peter Hollerbuhtl, Marianna Schmidt, Deutsches Symphonie-Orchester Berlin | F Major | 0 | 7B | 79 BPM | ||
Háry János Suite (Version for Orchestra): II. Bécsi harangjáték | Zoltán Kodály, Buffalo Philharmonic Orchestra, Joann Falletta | B♭ Major | 1 | 6B | 125 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM |
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