"Requiem, Op. 9: I. Introit" by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra was released on June 1, 1987. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 16 in Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 by Robert Shaw, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Requiem, Op. 9: I. Introit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: I. Introit by Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Charm of Lullabies, Op. 41: A Cradle Song (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | G Major | 3 | 9B | 130 BPM | ||
Gloria I, Pt. 1 | Coro Laus Deo | B♭ Major | 4 | 6B | 174 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Tota Pulchre Es | Maurice Duruflé, Vasari Singers, Jeremy Backhouse | G Minor | 0 | 6A | 72 BPM | ||
Petite messe solennelle: Kyrie I | Gioachino Rossini, The New Chamber Singers, Andrea Cappelleri, Filippo Farinelli, Sabine Belei, Ricardo Bonci | D Minor | 3 | 7A | 101 BPM | ||
Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 125 BPM | ||
Ainadamar / Act 1: Mariana: 2. Mariana, tus ojos | Osvaldo Golijov, Dawn Upshaw, Jessica Rivera, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie | D Major | 3 | 10B | 80 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Tenting on the Old Camp Ground | Robert Shaw | A Major | 1 | 11B | 103 BPM |
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