"Respighi: Pines of Rome P. 141: The Pines of Janiculum" by Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen was released on November 3, 2023. Since Respighi: Pines of Rome P. 141: The Pines of Janiculum is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Respighi: Pines of Rome, P. 141". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Respighi: Pines of Rome P. 141: The Pines of Janiculum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Respighi: Pines of Rome P. 141: The Pines of Janiculum by Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
IMMACULATE MOTHER VARIATIONS, Live - Music for Christ 2006 | Antonio Gabriel "Ariel" G. Arambulo, Ariel Arambulo | C Major | 2 | 8B | 91 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Namouna, Suite No.2: 5. Danse des esclaves | Édouard Lalo, Royal Philharmonic Orchestra, Yondani Butt | A Major | 2 | 11B | 51 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: I. Andante un poco maestoso - Allegro molto vivace | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 2 | 6B | 122 BPM | ||
Antiche danze et arie per liuto, Suite No. 3, P. 172, Arr. for String Orchestra: I. Italiana | Ottorino Respighi, LGT Young Soloists, Alexander Gilman | B♭ Major | 1 | 6B | 68 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
Eugen Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra | G Major | 2 | 9B | 103 BPM |
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